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..:: CONTENTS ::..
�� Volume I, Issue II

..:: POETRY ::..


..:: PROSE ::..
..:: ART ::..
..:: REVIEWS ::..
..:: ETC ::..
�� Contributor's Notes

..:: ARCHIVES ::..
�� Volume I, Issue I
�� Volume I, Issue II
�� Volume II, Issue I
�� Volume II, Issue II
�� Volume III, Issue I
�� Volume III, Issue II
�� Volume IV, Issue I


Febrifuge
& Foxtrot
Jeremy James Thompson

��

Dreary dear really can't you conjure up something a bit more alarming. Darling you
know I can't. But no one's watching my love just put it here here let me help you my-my.

Always quick if you keep it sharp. Bloody prick. No a sewing needle might rust. Well�
I've no explanation you see. Mister meet the girls out back after the show Mr.

Does this hairpin make me daft. Does anyone dare say. A lady with a Q is a Madame on
the make and that's so. Everything here is charming feel free to tear the linen.

My how quite yellow once understanding the tapestry or how to sweetly tote a hand�
holding a hand toting twice one heavy instruction. Superannuate me harold you old dog.

Can we alabaster some memories. Perhaps one might just touch them oh but then we�
might all touch or be just touched with pinch as part of what we do here, here here.

Who is a poor example of this my brother a roman cadet; oriental dear no. Mother a�
chaste opinionater Father a factory crank. People won't stand another patriarch, Joe.

A more unusual topic would be the use of Negro spirituals as a means of communication.�
Do you enjoy the exhibit of statues no there were too many plaster casts didn't you think.

A bit of sickness goes around but reading so (like so) you wouldn't know it no wonder�
we call it a rag-bag conversation the sort of invitation to be or become voice cultured.

Mickey the machinist makes plans with girls with highfalutin high tall hats. Will he be a�
winner or will she call it r(ape) so trite. Don't count out Jack he's one bet better boys.

��

//�� Advance�� //